Alien: Covenant is a 2017 novelization of the film of the same name, written by Alan Dean Foster and published by Titan Books. It was released on May 23, 2017.[1]

As well as standard print editions, the novel was released simultaneously in audiobook format, read by actor Tom Taylorson and published by Blackstone Audio, Inc.

Foster also wrote Alien: Covenant - Origins, an official prequel set before the film.

Publisher's Summary

Ridley Scott returns to the universe he created, with Alien: Covenant, a new chapter in his groundbreaking Alien adventure. The crew of the colony ship Covenant, bound for a remote planet on the far side of the galaxy, discovers what they think is an uncharted paradise. But it is actually a dark, dangerous world.

When they uncover a threat beyond their imaginations, they must attempts a harrowing escape.

Differences from the Film

  • The opening scene between Weyland and David is extended; David additionally notes a spider's web in the room where he activates. He also identifies a piece of art as The Nativity by Piero della Francesca.[2] As David plays "Entry of the Gods into Valhalla" on the piano, Weyland recounts the story of Wagner's accompanying musical drama, which ends with David labeling the deities in the story "false gods".[3]
  • Following David's activation, a new scene shows Daniels and Branson in their apartment, where Branson discusses some changes he has made to the plans for their log cabin on Origae-6.[4] The scene is ultimately revealed to be a flashback/dream that Daniels is having while in hypersleep aboard the Covenant. The sequence was filmed for the movie but not used.
  • When Walter checks the embryos in storage aboard the Covenant, they are all healthy in the novel, whereas in the film one of the embryos has failed, leading Walter to remove it for disposal.[5]
  • Before the neutrino burst hits the Covenant, Walter additionally visits the ship's hydroponics lab to check on the various flora being grown there.[6]
  • Mother is considerably more personable in the novel, striking up conversations with Walter using a more informal tone.[6]
  • Walter and Daniel's relationship appears far more intimate in the novel, with it implying multiple times that Walter possessed genuine feelings for his comrade.
  • After the post-disaster meeting on the bridge concludes, Oram takes Daniels to one side to offer her his condolences and pay his respects to Branson. He then orders her to take several days off to deal with her grief, much to her consternation.[7] In the film, Oram makes no attempts to stop Daniels getting straight back to work.
  • Oram carries a pair of metal worry beads that he frequently fiddles with when stressed.[7]
  • Tennessee and Ankor start making their repairs outside the ship much earlier in the book, before Branson's funeral, and these repairs generally seem to be much more extensive than in the film — for instance, it takes two shifts rather than just the one as in the movie.[8] Only on the second trip out does Tennessee intercept the transmission.
  • Daniels does not watch the video of Branson climbing when she retires to her quarters, but she does glance at their climbing gear stored in a cupboard, brought along so they could climb on Origae-6.[9] The scene also goes on longer at the end — Walter arrives and presents Daniels with a gift of several joints that he has rolled using cannabis grown in the hydroponics bay, suggesting it will help calm her. Learning that Daniels simply wishes to get back to work as part of her grieving process, Walter suggests she check the equipment in the terraforming bay, pointing out that there are no security cameras in there and so Oram will not discover she has disobeyed his orders.[10]
  • The equipment in the terraforming bay is all secure when Daniels and Walter check it, whereas in the film some of it has come loose and they have to tighten the restraints to secure it.[11]
  • In the finished film, Daniels tells Walter about Branson's dream of a cabin on Origae-6 as they work underneath some of the machinery, but in the novel the conversation happens as they walk around the bay, checking over the equipment.[12]
  • Branson's body is ejected in a coffin in the book, whereas it is simply wrapped in a shroud in the film.[13]
  • When discussing his nascent captaincy with his wife Karine, Oram does not talk about how his religion means he is viewed negatively by Weyland-Yutani. After she leaves, he prays alone on the bridge.[14]
  • Following Branson's funeral, Daniels gets drunk alone in her cabin, listening to Nat King Cole on Branson's antique record player.[15] Only now does she view the climbing video, seen earlier in the film. Having done so, she packs away all of Branson's belongings for disposal or storage.[16]
  • While watching Shaw's garbled transmission on the bridge, Oram likens the indecipherable screeching to his memories of people "speaking in tongues" during services as part of his strict Pentecostal upbringing. Inspired by this, he has Mother reverse the audio, and only then is the tune hidden within the signal revealed.[17] In the film, the tune is simply apparent from the start.
  • The conversation between Daniels and Oram where she voices her concerns to the captain over their change of course does not happen while they are alone, but on the bridge (albeit still out of earshot of the rest of the crew).[18]
  • As the Covenant approaches Planet 4, Upworth still receives Shaw's transmission. Tennessee forebodingly likens it to the song of the sirens in Homer's Odyssey, luring sailors to their doom.[19]
  • During the descent in Lander One, Walter also sits in the cockpit.[20] In the film only Faris and Oram occupy the dropship's cockpit. During the rough descent, Oram loses one of his worry beads and it begins rolling around the cabin.[21]
  • The dropship strikes something beneath the water as it sets down and Faris is forced to reposition it.[22] It is the exterior damage caused by this impact that Faris later goes outside to repair, whereas in the film she is apparently outside trying to boost the strength of the vessel's transmitter, so they can contact the Covenant.
  • After landing, the crew remain aboard Lander One while Walter heads out alone to sample the atmosphere. Only after he determines that it is safe do the crew disembark, much to their celebration.[23] Unlike in the film, this justifies the crew's lack of helmets or other protective gear when setting foot on Planet 4.
  • When the team discovers the fallen trees, Ankor suggests they may have been brought down by an asteroid, but Daniels points out such an impact would leave a huge crater.[24]
  • The Neomorph egg sacks are smaller in the novel, resembling surface mould as opposed to their larger, more fungus-like appearance in the film.[25]
  • The downed Juggernaut is shrouded in fog, meaning the team does not see it until they are directly underneath it.[26] The crew enters the vessel through an aperture in the side (just like the Nostromo crew in Alien), whereas in the film they climb inside through the opening in the vessel's base from which we later learn David launched the black liquid.[27] Lopé orders Ankor and Cole to stay and guard the entrance, whereas in the film everyone goes inside the ship.[28]
  • The team's weapons have red laser sights in the book, whereas they are green in the film.[28]
  • The team makes several additional discoveries whilst inside the Juggernaut. Soon after entering, the team find several Steatite Ampules, some of which are smashed and have Neomorph mold formed around them.[29] Later, Daniels locates Shaw's appropriated living quarters aboard the ship. Instead of finding the doctor's dog tags hanging from a hook, she discovers Shaw's crucifix.[30] Without the dog tags to give her name, Daniels discerns Shaw's identity from her name written on some rotting paper on a desk. Walter joins her and finds Shaw's environment suit helmet in a corner, marked with the Weyland Industries name.[31]
  • As his infection begins to manifest itself, Ledward bleeds from his tear duct.[32] In the film, Faris tells the Covenant crew that Karine reported that he was bleeding, but it is never seen.
  • Before assisting Karine and Ledward, Faris dons a surgical mask.[33] Faris is generally much more concerned about contamination, insisting Karine and Ledward refrain from touching anything inside Lander One and later telling Karine to put on surgical gloves.[34]
  • The scene where the Neomorph erupts from Ledward features several differences. Before putting him on the med bay table, Faris and Karine strip him while he stands.[34] They then lie him face-down on the table, securing him with a safety strap around his waist. As the infection reaches its crescendo, Ledward begins bleeding from his pores. He is still lying on his front on the table when the Bloodburster erupts from his back, and in his death throes he half-tumbles off the table, breaking his spine (much like in the film), secured in place by the strap round his waist.[35] Karine wets herself in response to witnessing the Neomorph's birth.[36] The Neomorph's growth rate is also much faster, such that it becomes visibly larger even during the time it is attacking Karine and running amok inside Lander One.[36]
  • Faris notably uses the term "neomorphic" to describe the creature that emerges from Ledward.[37]
  • Faris does not lose her shotgun when she slips on the blood inside the med bay, nor does she shut her leg in the med bay door as she tries to flee. Instead, the Neomorph manages to get an arm through the gap and block the closing door, and Faris uses her shotgun to bludgeon the creature's arm back inside the room, losing the weapon through the gap in the process.[38]
  • In the film, Lander One is destroyed when Faris accidentally shoots some flammable tanks. In the novel, she instead hits the weapons locker and it is the ordnance within that explodes.[39]
  • The debate about taking the Covenant down into the storm in response to the ground team's distress is more extensive. Tennessee points out that the ship is technically capable of surviving atmospheric re-entry, and that such an entry, as well as the subsequent return to space, has been carried out successfully several times in simulations.[40] However, Upworth points out that these simulations did not take into account such severe storms as are present in the atmosphere of Planet 4.
  • In the film Ankor dies when the Neomorph swipes off his jaw; in the book the creature pierces the top of his skull with its tail.[41]
  • During the chaos in the wheat field, Rosie accidentally hits Cole in the shoulder with a round from her assault rifle.[41] Both Neomorphs attack the group simultaneously, as opposed to one after the other in the film, and Daniels grabs Ankor's rifle to join in the firefight. Perhaps most notably, neither of the creatures is killed during this sequence in the book;[42] both survive to reappear later.
  • As the group follows David, they are shadowed by the elder of the two Neomorphs. The group are aware of the creature pursuing them, although it does not attack; Daniels guesses it is simply assessing them, biding its time.[43] In the film the Neomorph is not seen again until it arrives at the temple later on.
  • The group start finding Engineer bodies before they enter the city, including hundreds strewn on a hillside outside the settlement.[44] There is no grand, pillared entrance through which the crew pass like in the film, and instead they just walk into the city's streets.
  • Aware that the Neomorph is still following them, Lopé and Rosie fire at the creature. It retreats, although it is unclear if they hit it.[44]
  • The pursuing Neomorph finally charges the group as they reach David's temple, but they hurry into the building and David shuts it outside.[45]
  • David explains that the Engineers disabled the other ships on the planet when the black liquid was unleashed in order to stop the mutagen spreading off-world.[46] This is why he has not been able to take another ship and leave.
  • There is a well in the room where the group rests, and David brings up water for them to drink.[47]
  • When explaining the black liquid and its role in creating the Neomorphs, David goes into greater detail. He explains that the substance was designed to infect any and all non-botanical life, and that its sole drive is to reproduce. As the mutagen and the creatures it spawns reproduce parasitically by killing host organisms, the liquid's ultimate purpose is to cleanse worlds of all fauna.[47] He also states that the mutagen is completely inert while inactive, hence why neither Mother nor Walter detected it before the team landed.[48]
  • In the film, Mother tells Tennessee that 80km is the safe limit for the Covenant to orbit above the storm, but in the book Tennessee calculates this distance himself.[49] Upworth voices strong objections to dropping the Covenant closer to the planet, but Tennessee asserts his authority and goes ahead with the descent.
  • Inside the temple, Walter discovers David's living quarters, full of drawings the synthetic has made.[50]
  • As well as his long, scraggly hair, David also has a beard in the book.[51]
  • When Tennessee requires Upworth's consensus to reduce the Covenant's orbit further, they additionally have to enter codes at secure consoles on opposite sides of the bridge to override Mother's safety limits.[52]
  • The Neomorph enters the temple through a secret entrance in the side instead of scaling the outer wall.[53]
  • Rather burying her in a garden, David places Shaw's ashes in a vase he has made himself. Alongside the urn are several of Shaw's effects, including a hairbrush, a fragment of her uniform, her ID tags, a photograph of her and a lock of her hair.[54]
  • David's flashback to his arrival on the planet and his genocide of the Engineers, seen during the scene at Shaw's grave in the film, never occurs in the novel.
  • After teaching him how to play the flute, David gives the instrument to Walter and instructs him to go away and compose an original tune himself.[55]
  • Instead of simply going to wash, Rosie discovers a myriad of hash marks carved into the temple wall by David (apparently denoting the number of days he has been on the planet) and follows them down a corridor.[56]
  • There is a scene of extended dialogue as Daniels and Oram rest in the temple. Daniels points out to the captain that their discoveries on the planet at least mean the surviving relatives of the Prometheus crew will get closure regarding the fate of their loved ones.[57] Walter joins them, reporting back on David's behavior, suggesting that the android may be losing his mind as a result of being trapped alone for so long on the planet.[58] After Oram goes to look for Rosie, Walter begins trying to compose a tune on the flute but struggles with his programmed inability to be creative. Daniels suggests he attempt to learn by trial and error, something that he is capable of doing, and Walter succeeds in performing an original melody. Daniels is impressed, but Walter considers the piece a poor effort. As he continues practicing, Daniels falls asleep.[59]
  • Rosie's death is extended. Instead of immediately decapitating her as in the film, the Neomorph first throws her against the wall, breaking her back and paralyzing her. It then slowly approaches her as she lies helpless on the floor, finally lunging in to kill her with its jaws when it is standing over her (although she is never shown being beheaded and her exact cause of death is left unrevealed).[60]
  • When David confronts the Neomorph, he backs slowly out of the room and the creature follows, apparently confused by the android's calm reaction to its presence. David sees Oram arrive and silently implores with the captain not to shoot.[61]
  • The lower levels of the temple, where David's lab is located, appear more like the interior of and Engineer ship than in the film, with twisted, organic surfaces.[62]
  • The scene where David shows off his lab is longer and contains some notable differences compared to the film. At the beginning of the scene, Oram voices his prejudice against synthetics, voicing his opinion that androids should not possess the kind of creativity and personality that David does, and should be more like machines. David retorts that humanity, with all its free will and perceived superiority, is incapable of collaborating and devotes most of its energy to destroying itself.[63] Shortly thereafter, David tosses a harmless, fossilized sample of Neomorph egg sacks to Oram, noting with amusement the captain's reaction to the potentially deadly substance. Also in the lab are insects being infected by motes preserved in amber, showcasing the Neomorph gestation process, as well as several adult Xenomorph specimens alongside the deformed Neomorph remains.[64] Finally, he shows Oram a fossilized Ovomorph and the dead Facehugger within, pointing out that they are an Engineer creation, created long before he arrived on the planet. David goes on to express a desire to play God, stating that he wishes to engineer a similarly "perfect" lifeform himself.[65] This revelation that the Xenomorph is a pre-existing Engineer construct is in contradiction to the film, which instead shows David to be the originator of the Xenomorph species.
  • Before they descend into the catacombs, David gives Oram an ointment to spread beneath his nostrils to counteract the foul smell below. Although Oram initially demurs, upon smelling the pungent stench he applies the substance to his top lip. It immediately masks the smell and also acts as a mild narcotic, inducing a palpable feeling of well-being in Oram.[66]
  • Oram manages to fire a single shot as he is assaulted by the Facehugger, but it goes wide and hits neither the creature nor David.[67]
  • After Oram is subdued, David coldly mutters, "You're relieved of duty, Captain."[68]
  • As Walter watches Daniels continue to sleep in the main chamber, he tries to imagine what it would be like to dream. He gently brushes aside a lock of hair that has fallen across her face, and realizes that the act makes him "feel good". His subsequent analysis of this implies that, despite his supposedly more restrictive programming than David, he may still be capable of developing emotions.[69]
  • Tennessee is on the bridge when he receives word that his wife has died (albeit over a private channel that Ricks and Upworth cannot hear).[70] In the film he goes into the corridor outside to take the news.
  • After waking, Oram reveals to David that he dreamt of meeting God whilst unconscious.[71]
  • The Chestburster that emerges from Oram is initially worm-like, similar to the original in Alien, but it rapidly develops arms, legs and a distinct head as David watches. David whistles to the infant creature, and becomes emotional when it apparently attempts to respond, despite being incapable of actually whistling.[72]
  • The Xenomorph born from Oram is described as being "biomechanoid" and having "an exoskeleton like black metal", clearly much more akin to the original Alien, as opposed to its fleshier, more organic appearance in the film.[73][74]
  • Tennessee and Upworth are seen preparing the cargo lift for the rescue mission to the planet's surface.[75]
  • David stabs Walter with his finger in the book.[76] In the film, he uses the flute.
  • After finding Oram's body, Cole notices movement in one of the Eggs in the chamber. As he investigates, the top opens and he peers inside, leading the reader to believe he too will be impregnated. However, he manages to react as the Facehugger leaps out, blocking it with his hand (not his rifle as in the film).[77] In the film, the Egg from which the Facehugger comes is never seen opening and it is assumed to happen off-screen.
  • When the Facehugger then attacks Lopé, the Sergeant manages to get his arm between his face and the Facehugger, stopping it from getting its ovipositor down his throat.[78]
  • Instead of stabbing David under the chin with the old nail, Daniels stabs it into his eye. However, David also possesses an ability to self-repair in the book and the damage is quickly fixed.[79]
  • The damage caused to Lopé's face when Cole cuts the Facehugger is much more severe in the book — almost half of his face is badly melted, and his throat is also damaged, affecting his breathing.[80] Cole administers a medicated patch and the potent drugs it contains cause Lopé to pass out; he shortly regains consciousness and sees the Xenomorph above Cole ready to attack. In the movie, Lopé remains conscious throughout. Additionally, whereas Lopé flees as soon as he sees the adult creature in the film, in the book he is frozen in fear, only moving after Cole is killed and he is splattered with the dead man's brains.
  • After Daniels and Lopé flee the temple, the surviving Neomorph returns, leading to an extended action sequence outside the temple. As they await the cargo lift, the creature charges Daniels and Lopé, who fire at it, only for the Neomorph to nimbly dodge their shots. When Daniels runs out of ammunition, she activates the extendable bayonet on her rifle and prepares to make a futile last stand.[81] The Xenomorph born from Oram then arrives, and the two alien creatures engage in a brawl as Daniels and Lopé run to the cargo lift; the Xenomorph quickly disembowels the Neomorph, killing it. The Xenomorph then goes after the survivors, catching Lopé as Daniels tries to lift him aboard, pulling him back off of the craft and further wounding him with its talons.[82] Desperate, Daniels attacks the creature with the bayonet, spilling its acid blood, a few specks of which burn her cheek. At that moment David (posing as Walter) arrives and shoots the Xenomorph, apparently killing it. The trio board the cargo lift, but the Xenomorph rises, merely wounded, and then jumps aboard the departing craft as in the film.[83]
  • Before Daniels fights the Xenomorph aboard the cargo lift, "Walter" informs her that David is not in fact dead and will likely be repairing himself inside the temple.[83]
  • While shooting at the Xenomorph aboard the departing cargo lift, Daniels hits it several times in the head, but it fails to kill the creature.[84] After crushing it in the crane jaws, she gets acid on her jacket and is forced to strip it off and discard it.[85]
  • After escaping the planet, Tennessee ironically christens it "Extinction". During the flight back to the Covenant, Daniels asks "Walter" how he feels about David's genocide of the Engineers; "Walter" is very matter-of-fact and largely justifies the slaughter, pointing out that the Engineers were arrogant and hostile. When Daniels asks him if he would feel the same about humans, "Walter" responds that humans have not developed such intrinsic cultural arrogance "so far".[86] Daniels goes on to muse the possibility of other intelligent alien life, hoping that it will be more receptive to other sentient species.
  • Mother activates an alarm to notify Ricks and Upworth that they are in danger, which includes flashing red lights and a klaxon.[87] Unlike in the film, where they remain oblivious to the presence of the Xenomorph until it kills them, they realize in advance that something is wrong, but are still killed before they can act. When Daniels and Tennessee find their corpses, they have been completely dismembered.[88]
  • As they hunt for the Xenomorph loose aboard the Covenant, Daniels tells Tennessee not to shoot the creature due to its acid blood, and he responds that he noticed the damage it did to the crane on the cargo lift.[89]
  • The manner in which the Xenomorph is finally expelled is slightly different — in the film Daniels presents herself as bait to lure the creature onto the forks on the front of the slow-moving excavator, but in the novel the excavator is instead ejected at such speed that she simply has to dive out of the way before it plows into the Alien.[90] After the vehicles have been ejected into space, they deploy their emergency parachutes, much to Daniels' amusement.
  • Daniels does not realize that "Walter" is in fact David before going into hypersleep.[91]
  • After placing the two survivors in hypersleep, David asks Mother to open a secure line with the Weyland-Yutani Corporation headquarters on Earth using the security hailing code David 31822-B, thereby specifically revealing his deception to the company.[91] In the film, he sends out a situation report under the guise of "Walter". Instead of regurgitating two small Facehugger embryos and placing them in the embryo storage tray, David opens to tray to find three tiny Xenomorph Eggs that he had placed there some time previously.[92]


Blackstone Audio, Inc. produced an unabridged audiobook of Alan Dean Foster's novelization, read by actor Tom Taylorson. The audiobook runs for 8 hours and was released on the same day as the print edition.


See Also


  1. " - Alien: Covenant - The Official Movie Novelization". Retrieved on 2017-04-06.
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